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LGBT themes in comics - Wikipedia, the free encyclopedia. For the underground comic book series and anthologies, see Gay Comix. LGBT themes in comics are a relatively new concept, as lesbian, gay, bisexual, and transgender (LGBT) themes and characters were historically omitted intentionally from the content of comic books and their comic strip predecessors, due to either censorship or the perception that comics were for children. Independently published one- off comic books and series, often produced by gay creators and featuring autobiographical storylines, tackled political issues of interest to LGBT readers. Since the 1. 99. 0s LGBT themes have become more common in mainstream US comics, including in a number of titles in which a gay character is the star.
European comics have been more inclusive from an earlier date. The lack of censorship, and greater acceptance of comics as a medium of adult entertainment led to less controversy about the representation of LGBT characters. The popular Japanese manga tradition has included genres of girls' comics that feature homosexual relationships since the 1.
These works are often extremely romantic and idealized, and include archetypal characters that often do not identify as gay or lesbian. Pornographic manga also often includes sexualised depictions of lesbians and intersex people. Queer theorists have noted that LGBT characters in mainstream comic books are usually shown as assimilated into heterosexual society, whereas in alternative comics the diversity and uniqueness of LGBT culture is emphasized. Comic strips have also dealt in subtext and innuendo, their wide distribution in newspapers limiting their inclusion of controversial material. The first openly gay characters appeared in prominent strips in the late 1. LGBT issues in these titles causes vociferous reaction, both praise and condemnation, to the present day.
Comic strips aimed at LGBT audiences are also syndicated in gay- and lesbian- targeted magazines and comics have been created to educate people about LGBT- related issues and to influence real- world politics, with their format and distribution allowing them to transmit messages more subtle, complex, and positive than typical education material. Portrayal of LGBT themes in comics is recognized by several notable awards, including the Gaylactic Spectrum Awards and GLAAD Media Awards for outstanding comic book and comic strip. Comic strips. The Pulitzer board said the strip .
The conservative strip Mallard Fillmore occasionally approached gay issues from a critical perspective; these storylines have been described as . Strips including Wendel by Howard Cruse, and Leonard and Larry by Tim Barela, have been syndicated in national gay magazines like the Advocate. Dykes to Watch Out For is known for its social and political commentary and depictions of characters from all walks of life. Ethan Green has also been adapted into a live- action feature film. Underground and alternative comics. Such comics frequently advocated political positions and included depictions of sex, usually not intended solely to cause arousal but included as part of the exploration of themes including gender and sexuality.
However, gay characters rarely featured in underground comics from 1. Much of the early content was autobiographical, but more diverse themes were explored in later editions. Autobiographical themes included falling in love, coming out, repression, and sex.
His drawings frequently feature two or more men either immediately preceding or during explicit sexual activity. His LGBT- themed work is often adults- only, and in addition to being featured in Meatmen and Gay Comics, has been syndicated in publications such as Heavy Metal, RAW, and Village Voice. La Sida was aimed at a young audience and used humour to de- dramatise the subject, with HIV status indicated a metaphorical . Published through AIDS Project Los Angeles, the novel is narrated in English and Spanish while commenting on themes of gender identity, sexual experiences and HIV/AIDS awareness. Sexile , a work commenting on HIV/AIDS prevention, was collaborated with Gay Men's Health Crisis. Such educational comics have been criticised for ignoring the special relevance the subject has to the LGBT community, with homosexuality marginalized in favour of depicting HIV as a threat to conventional heterosexual relationships.
This has been blamed on the continuing perception that comics are for young people, and as such should be . Until 1. 98. 9 the Comics Code Authority (CCA), which imposed de factocensorship on comics sold through newsstands in the United States, forbade any suggestion of homosexuality. The CCA itself came into being in response to Fredric Wertham's Seduction of the Innocent, in which comic book creators were accused of attempting to negatively influence children with images of violence and sexuality, including subliminal homosexuality. Wertham claimed that Wonder Woman's strength and independence made her a lesbian.
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